February 2012 Archives
February 27, 2012
February 23, 2012
FutureScapes Science Fiction Short Story Competition

Sounds interesting, but as always check the terms and conditions before entering (it's also sponsored by Sony)."Fancy yourself as the next HG Wells, Cormac McCarthy or Margaret Atwood? The Guardian has teamed up with the FutureScapes project to invite all budding writers to submit their visions of the year 2025 to a short story competition.
The winner will have the honour of seeing their story appear alongside work by New York Times bestselling thriller writer Michael Marshall Smith, fantasy children's author Marcus Sedgwick, Kate Harrison, creator of the Secret Shopper series, "sex and shopping" novelist Lesley Lokko and cultural commentator Markus Albers."
February 22, 2012
Juggernaut - Adam Baker
Juggernaut by Adam Baker is set in Iraq and follows a band of mercenaries looking for that one-big-score-enough-to-retire job. The treasure is gold, buried in the desert.
The style is of a military thriller with details about guns and armour and using military slang. This added a sheen of foreign translation that washed by me, those interested in guns and army stuff will probably enjoy that sheen. The language enhances the war mentality too, short and sharp and fast moving, not lingering on details but rushing into the action.
The story starts with some action then, goes back in time to explain, a flash-forward if you like. Whilst I can understand the reason is to hook people in I found this structure detracted from the tension in the second half of the novel as I knew the outcome. Yes, there's another hanging plot thread that is resolved at the end of the story but I felt the major question posed by their exploit, who will survive, is given away before it's started.
Eventually, as the plot progresses, another element is thrown into the mix, making it more than just a military thriller. If you've read Outpost you'll probably see this coming, if not, well, it might surprise you, depending on what you are expecting. As it's quite likely you're a Science Fiction fan if you're reading this then let me assure you, it is Science Fiction, on the action, horror, bit gory end of the scale. Personally I'm more of a SF fan than a horror or military thriller fan and therefore wanted a bit more SF. In fact, the ending piqued my interest the most, I'd quite like to see a sequel that fills in the timeline gap in the universe that Adam Baker has created. (It's probably in the works.)
Juggernaut is the sort of novel that I can imagine as a fast paced blockbuster film. That sounds like a bit of an insult in cold black and white text but it's not intended as such. Whether a film could conjure the images the text can is of course debatable but the story is fast paced and full of action and really gagging for a big screen explosion filled adaptation.
I feel I've been a bit vague in this review, but I'm conscious that someone reading Juggernaut who has avoided spoilers could well be in for a surprise and don't want to spoil that. However I do want to talk about it so I will.
Spoilers ahead.....
February 18, 2012
February 15, 2012
February 10, 2012
Excellent Interview With SFX Genius Doulgas Trumball
If people are going to go out, put gas in their car, go to all of the inconvenience of getting a babysitter or whatever they have to do to make the decision to go out to a movie theater, they'd better see something truly spectacular. And I don't think the price point is nearly as important as delivering the product that the audience is willing to pay to see. If I go to Cirque du Soleil in Las Vegas or something, I'll easily pay $75 to $150 for a spectacle because I'm not going to see it anywhere else, and I'm certainly not going to get it on TV. I think we have to start thinking about movies that way, because we're spending 100, 200, $300 million on a movie and yet it's being throttled down through an inefficient delivery system. The production value isn't getting to the audience.
Via Dave
February 8, 2012
February 3, 2012
StarShipSofa Online Writers Workshop
- Unlocking Your Creativity by Ann VanderMeer
- Why Science Fiction is Too Important To Be Left to the Scientists by Peter Watts
- Creating and Maintaining Tension by Nancy Kress

